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"That’s not going anywhere." : Dave Culpepper
Sep
7
to Sep 28

"That’s not going anywhere." : Dave Culpepper

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thats not going anywhere.jpg

That’s not going anywhere.
Dave Culpepper
September 7th - 28th, 2019

Co-Lab Projects @ Springdale General
1023 Springdale Road, Suite 1B, Austin, TX 78721
Open Hours: Tuesday-Saturday, 12-6pm

Opening Reception: Saturday, September 7th, 7-11pm

A maquette is a tool used for siting where an object will eventually be installed. It is a simplified version of what it is representing, commonly made very cheaply. Maquettes are usually constructed at full scale in order to show how the final object will relate with its surroundings. They are a tool that allows you to see what potential an object has without putting the object at risk. Maquettes serve a purpose and then are abandoned/become useless after their job is finished.

Models are often made to a scale that is much smaller than actual size. Models can be used for planning spaces, creating object relationships, and studying different viewpoints. Models are like maquettes, in that they represent objects, except they need to maintain relevant aspects or important details of the original. Models are used over and again, waiting to be a vessel for ideas.

Scale is a mechanism used to help orient objects in a space. It is also used to help simplify too large of spaces, ideas, or systems (railroads, solar system, city planning). All of these are tools to help realize a concept. Most of the time they are used in conjunction with one another. These three tools help with efficiency with spatial planning.

David Culpepper was born in Alexandria, Virginia. In 2010 he received a BFA in Painting and Printmaking from Virginia Commonwealth University. David has been living in Austin for the last 9 years and is a founding member of Ink Tank Collective, Free Beer Podcast, and Fancy Fancy Studios and Gallery. His most recent projects have been exhibited at Grayduck Gallery, MASS Gallery, and Pump Project. David received the Austin Critics Table Award for his solo exhibition Wake Me When It's Quittin' Time at Co-Lab Projects in 2014-2015.

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“A Land with No Name” :  Sara Madandar
Oct
5
to Oct 26

“A Land with No Name” : Sara Madandar

  • Co-Lab Projects @ Springdale General (map)
  • Google Calendar ICS
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A Land with No Name
Sara Madandar
October 5th-26th, 2019

Co-Lab Projects @ Springdale General
1023 Springdale Road, Suite 1B, Austin, TX 78721
Open Hours: Tuesday-Saturday, 12-6pm

Opening Reception: Saturday, October 5th, 7-11pm

A Land with No Name is a series that takes its inspiration from Persian history–in particular, how complex notions of gender and national identity changed in Iran between the 19th and 20th centuries. Afsaneh Najmabadi’s book Women with Mustaches and Men without Beards explores how, during the 19th centuries Qajar dynasty, Iran’s national identity was ambiguously gendered. This was a time in which women with mustaches were considered attractive and the emblem on the nation’s flag was a female lion. As the nation “modernized” into the 20th century, many of its symbols of national identity transitioned to more masculine forms–even the flag’s lioness was changed to a lion.

Exploring these historical transitions, A Land with No Name uses paintings to break down and reconfigure how we think of place, nation, identity, and gender. In this series, these transformations are represented by breaking down the canvas. In some paintings it is shredded and cut, in others burned and etched with a laser cutter. The destruction and remaking of materials have long been a key component of my artistic practice. The hand-made paper in this series is recycled from 2017 editions of the New York Times featuring headlines about Trump’s “Muslim ban.” Literally dissolving the news through this papermaking process reflects our current political reality—each new day brings dramatic news, however, the impact of these profound political events is quickly forgotten, making way for the next wave of increasingly shocking news.

Having moved from Iran to Texas for graduate school then again to New Orleans, my life has been one of major cultural transitions. Navigating through these cultures has caused me to reflect on the identity of place and ask how do we define a land? What do its borders mean? How do we change as we migrate across them? Recent geopolitical events have had a direct effect on my ability to move between cultures and has caused me to consider these questions. For instance—due to the Trump administration’s “Muslim ban” and withdrawal from the Iran nuclear deal my family is no longer able to visit me. From within this turmoil of these questions and circumstances I started imagining a free land, one with no names, borders, or flags. The land I imagine takes the shape of a woman’s body, my body, becoming my homeland. I imagined myself saying "I am from my own body, it is A Land with No Name.”

Sara Madandar is an Iranian multi-disciplinary artist based in the United States. She received her MFA from the University of Texas at Austin and her BA in painting from the Azad University of Art and Architecture in Tehran. Through a range of media such as painting, video, installation, and performance—Madandar explores migration and the human experience of living in between cultures. Her work uses the aesthetics of language, clothing, and bodies to study the complexities of cross-cultural experiences from a unique perspective. Madandar’s most recent accolades include an award from the Texas Visual Artists Association (TVAA) and an award from the Southeastern College Art Conference (SECAC) for an exhibition curated by Jessica Beck of the Andy Warhol museum. Sara’s work has been featured at Co-Lab Projects, Elga Wimmer PCC, New Orleans Museum of Art, Austin City Hall, New Orleans Contemporary Art Center, Elisabeth Ney Museum, Mom Gallery, Courtyard Gallery, and the Asian American Resource Center.

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