Partial Shade and Co-Lab Projects present:
Alicia Link and Stephanie Concepcion Ramirez
May 11th - May 31st, 2019
Opening Reception: Saturday, May 11th 7:30-10pm
On view by appointment, please contact us for a tour
Partial Shade and Co-Lab Projects are pleased to present Preludes, a multi-media installation by Alicia Link and Stephanie Concepcion Ramirez in response to A Platform.
In their installation Preludes, Alicia Link and Stephanie Concepcion Ramirez imagine a place where their mothers meet for the first time. Fixed to Partial Shade’s Platform two “upholstered” pillars support a swath of material that will feature video(s) during designated viewing times. The screen doubles as a sail alluding to past histories of both women. Surrounding the platform woven scraps of fabric sparkle, sprawl, soften, and contrast the inherent flux of the landscape. Objects in the space serve as props and prompts presenting a give and take with the audience acting as a witness to this exchange. In mimicking the actions of their mothers, Link and Ramirez attempt to carefully understand the complexities of motherhood while carving a space for those nuances to take form. Preludes acknowledges the profound impact the artists’ mothers have on their work and examines how one of the most fundamental relationships can grow or wither with time.
ALICIA LINK was born in New Jersey in a suburb of Philadelphia. She earned a BFA in Painting from Boston University in 2012 and an MFA in Studio Art from The University of Texas at Austin in 2017. Link has exhibited her work in Boston, Austin, and Brooklyn. She’s been the recipient of a full fellowship to the Vermont Studio Center and a Capacity Building Award from the City of Austin Cultural Arts Division. Her paintings and installations feature characters and narratives that invite empathy while serving as proxies for anxiety and personal desire. Link currently lives and works in Austin. www.alicia-link.com
STEPHANIE CONCEPCION RAMIREZ is a Salvadoran-American artist from Prince George’s County, Maryland. She received her BFA at Old Dominion University in Norfolk, VA and her MFA at the University of Texas at Austin. Her work is based on notions of memory, personal and historical amnesia that trace the veins of the Central American diaspora. In an attempt to reconcile with her personal and cultural histories and memories, she combines images, installations and text that validate truth, false memories, filtered history and fantasy. Ramirez currently works and lives in the Greater Houston area. www.stephaniecramirez.com
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A Platform is a series of events and art installations organized by Partial Shade and Co-Lab Projects, centered around a physical platform built in an empty lot in East Austin. A Platform will provide a literal and conceptual space for emerging artists to share work and experiences and will provide artists and visitors an opportunity to experiment with new modes of relating to each other and their surroundings.
The structure for A Platform takes the form of a ramp gradually rising to a flat platform 2ft off the ground; this incline makes the platform more accessible to viewers and acts to undermine the established hierarchical relationship between performer and audience. This blurring of boundaries by an unusual, structural site from which to make and view art will encourage all involved to renegotiate their relationship with the physical and social space they are navigating.
PARTIAL SHADE is a nomadic curatorial project focused on organizing visual art exhibitions in non-traditional spaces, with work that is responsive to, considerate of, and affected by its environment. Untethered to one specific piece of real estate, Partial Shade operates as a model for a sustainable, alternative exhibition platform, and offers artists the opportunity to experiment with work that wouldn’t otherwise fit comfortably in a conventional gallery space. Partial Shade is organized by Rachael Starbuck, Michael Muelhaupt, and Jesse Cline. www.partialshade.info
Partial Shade and Co-Lab Projects present:
Alexis Mabry and Steef Crombach
May 4th - 25th, 2019
Opening Reception: Saturday, May 4th, 7-11pm
Open Hours: Tuesday-Saturday, 12-6pm
Co-Lab Projects presents M*A*S*H, featuring the collaborative work of Alexis Mabry and Steef Crombach. Alexis and Steef have a strong sensibility towards the “do it yourself” practice of traditional women’s crafts and techniques. Their unique approach towards soft sculpture, found fabric, quilt and tapestry elements, unscrews the existing perception of these traditionally “crafty” media. Through mimesis the work questions themes of gender positioning, colloquialisms, and visual expression of popular culture. The MASH between Steef’s delicate and methodical process and Alexis’s organized chaos, bring their kindred works into new engrossing dimensions.
Alexis E. Mabry (b. 1985) grew up in up in Dallas, Texas. Mabry moved back to Texas after studying at the University of the Arts in Philadelphia (2011) and Virginia Commonwealth University in Richmond (2013). She is a 2019 candidate for her B.F.A from Texas State University this year. Alexis explores social stereotypes in identity through observation, anecdote, and personal introspection. Finding the idea of a person more compelling when it lives in the popular imagination, with a tenuous connection to lived reality. Her work pulls from both personal experiences here and those imagined identities. Being a female BMX rider, she explores feminine roles in male-dominated activities. The work draws from the languages of painting, soft sculpture, and craft. Mabry has shown in solo and group shows regionally throughout in Texas, Richmond, California, and Kentucky.
Steef Crombach (b. 1992) was raised in Maastricht in the South of the Netherlands. She lives and works in Austin as an artist, curator, and teacher at The Contemporary Art School at Laguna Gloria. Crombach earned her B.F.A from the Royal Academy of the Arts in The Hague in 2014. Crombach has a very speculative approach to the world and her direct environment, it’s patterns, objects, colloquialisms, and concrete manifestations. She seeks out and unscrews aspects of our present time that will eventually become part of our collective memory. She is currently investigating the universal interpretation of the themes in her work by changing the environment, and the culture, she and her work belong to. She has been visiting Austin for extended periods of time to curate, exhibit, and research since 2014 and has recently relocated to Austin permanently. In 2017, Crombach organized and curated the nine-artist exhibition Expedition Batikback at Co-Lab Projects. Her work Piet is on exhibition at the Royal Palace in Amsterdam and she is a recipient of the Emerging Artist grant from Mondriaan Fund.
April 6th - 27th, 2019
Opening Reception: Saturday, April 6th, 7-11pm
Performances during Fusebox Festival: April 17th, 18th, 19th, and 20th, 2-2:30pm
Open Hours: Tuesday-Saturday, 12-6pm
Read On Sean Ripple’s Lossy Process an essay by Anna Gallagher-Ross
Lossy Process is an exhibition that features approximately two hundred six-second video collages that have been created over the course of three years using mobile app video editing suites. These video collages, which were originally created to be streamed on social media sites, will undergo a transcoding of sorts in IRL viewing space through a simple act of recontextualization. In addition to the collages, there will be a number of recently completed video essays by the artist and a series of performances that are intended to function like advertising for the video content on display.
Sean Ripple is an artist, writer, and curator based in Austin, TX. His projects are often improvisational and interventionist in nature and rely heavily on social media and the Internet to frame the outcomes of a feverish dedication to an idea. Recent projects have explored a perceived lack of commitment to interactivity and participation across a number of digital platforms as well as the destabilization of meaning that seems to trail technological innovation and advancement. His work has been featured in regional publications including …might be good, Glasstire, Austin American Statesman, and Conflict of Interest.
"Lines Composed During A Tour" featuring Sara Vanderbeek, Andy Coolquitt, Kristi Kongi, and Erin Curtis
Co-Lab Projects Presents:
Lines Composed During A Tour
Featuring Sara Vanderbeek, Andy Coolquitt, Kristi Kongi, and Erin Curtis
Curated by Leslie Moody Castro and Sean Gaulager
March 9th - 30th, 2019
Open Hours: Tuesday-Saturday, 12-6pm
Culled from a few of our favorite recent exhibitions, this selection of work focuses on materials, movement, pattern, color, and light. Each of these artists employ very different techniques, often utilizing textiles, iconography, flora, found objects, “sloppy” geometry and fabrication; but all elicit reverential humor for the commonplace and the banal objects of everyday life. Their use of color and pattern unify their collective voices while offering entry points into their individual practices. While each of the four artists pull references from a variety of sources, histories, and contexts the formal qualities of the works offer moments of connectivity and reciprocity, engaging in playful dialog with one another and the exhibition space itself.
Sara Vanderbeek is a Texas-based multi-disciplinary visual artist who creates concept-driven series focused on reframing the window and vernacular of portraiture. Her brightly colored work contextualizes autobiographical experiences, appropriates visual imagery and responds to culture and politics. Her artwork has been included in several solo and group shows nationally, including the McNay Art Museum, Art Palace, The Contemporary Austin, grayDUCK Gallery, Freight Gallery, Deitch Projects, Co-Lab Projects and was included in the 2013 Texas Biennial at Blue Star Contemporary. In addition to her studio practice, she works as an independent art consultant and Director of DORF, an alternative gallery space in Austin. She received her BFA from Rhode Island School of Design in 2003.
Andy Coolquitt was born in Texas in 1964 and currently lives in Austin. He recently opened a solo exhibition titled “Andy Coolquitt: i need a hole in my head” at the Museum of Contemporary Art Santa Barbara, in California. Coolquitt is perhaps most widely known for a house, a performance/studio/domestic space that began as his master's thesis project at the University of Texas at Austin in 1994, and continues to the present day. He has been an artist-in-residence at Artpace, San Antonio, TX; Chinati Foundation, Marfa, TX; and 21er Haus, Vienna, Austria. Recent exhibitions include the Tang Museum in Saratoga Springs, NY; The Contemporary Austin, Texas; The Museum of Contemporary Art Denver, Colorado; Rodeo Gallery, Istanbul, Turkey; and The Goethe Institute - Ludlow 38, New York. His work is included in the collections of the Philbrook Museum of Art, Tulsa, Oklahoma; the Österreichische Galerie Belvedere, Vienna, Austria; the Henry Art Gallery at the University of Washington, Seattle, Washington; and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York.
Kristi Kongi (Tallinn, Estonia; 1985) is a visual artist whose paintings and site specific installations focus on the nuances of light and its effect on color. Her works use color to build and preserve narratives, memories and histories while offering a different perspective and point of view. Kristi studied painting at Tartu Art College (BA, 2004-2008) and graduated from Estonian Academy of Arts painting department (MA, 2008-2011). She’s been awarded with Young Artist Prize (2011), Sadolin Art Prize (2013) and was nominated for Köler Prize in 2016. Kongi was awarded with Konrad Mägi Prize in 2017. She is Associate Professor at the Estonian Academy of Arts painting department.
Erin Curtis is an artist living and working in Austin, Texas. Her recent work reflects an interest in geometric abstraction and its historical roots in weaving, architecture, nature and ritual. Curtis’s work combines utopic ideals of beauty and structure, with process and chance. Primarily working as a painter, she also creates, large-scale, site-specific installations and public art projects. She has received grants from the Dallas Museum of Art, the Andy Warhol Foundation, the City of Austin and the District of Columbia. Recently, Curtis had solo shows at Conduit Gallery, Dallas, TX (2017), CalPoly San Luis Obispo University, California (2016), Big Medium Gallery in Austin, Texas (2015) and at Flashpoint Gallery (2015) in Washington, DC. She has created commissioned works for the Chicago Transit Authority, City of Washington DC, Facebook, Art in Embassies and The City of Austin. Curtis attended the Skowhegan School of Painting and Sculpture in 2010 and was awarded fully funded residencies at Anderson Ranch (2012) and Vermont Studio Center (2014). In 2008-2009, Curtis was a Fulbright Scholar in Jaipur, Rajasthan. Curtis graduated from Williams College with a BA in Liberal Arts in 1999 and received her MFA from the University of Texas at Austin in 2007.