“Epiphany” Artist Talk
Featuring Justine Kurland in conversation with Michelle Marchesseault, Diana Welch, Kate Csillagi, and curator Alyssa Taylor Wendt
Saturday, October 19th, 7pm, (please RSVP)
Co-Lab Projects, 5419 Glissman Rd, Austin, TX 78702
Join us at the Culvert Gallery for another look at “Epiphany” and a conversation moderated by esteemed artist Justine Kurland. In this talk, Justine hopes to open a discussion about themes and processes in each artist's work and in relation to one another. Justine echos the question underlying the exhibition “Epiphany” and the mission of Co-Lab Projects- How do we support artists engaged in radical experimentation and play?
Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland’s work has been exhibited at museums and galleries in the United States and abroad. www.justinekurland.com
Diana Welch is a multidisciplinary artist based in Austin, TX, whose body of work spans sculpture, music, and writing. A self-taught ceramicist, she has exhibited in the US and Europe as one-half of the collaborative Mother of God. Her vessels reference classical ancient clay forms imbued with unexpected flare and subversion through interaction, collaboration, and functionality. As a musician, she has released several recordings, both solo and as a member of the band Stormshelter. A reporter, editor, and author, her extensive writing has been reviewed in Vanity Fair and elsewhere.
Kate Csillagi is an interdisciplinary artist hailing from Austin, TX. She attended the School of the Art Institute of Chicago and Evergreen State College where she studied fiber art, printmaking, and bookmaking. Her work has evolved over the years to include drawing, mural work, fabric tapestry, and installation. She was also a founding member of ICOSA, an artist-run collective and gallery in East Austin. Csillagi’s work is disruptive and whimsical, constructing unexpected narratives that star her anthropomorphic characters within supernatural scenes. Her work dismantles reality through watery dreamscapes and colorful illustrations, providing refuge from the monotony of modernity.
Michelle Marchesseault splits time between Austin, TX, where she paints, and New York City, where she designs art and interiors for restaurants, television, movies, and the stage. She attended Herron School of Art in Indianapolis for painting and has been creating visuals and environments for over 20 years. The majority of Marchessault’s work fluctuates between studies of color and design that she called “twist” paintings and lush mannerist landscapes where nature is simultaneously gushing with beauty and brutality.
Mimi Bowman was born in Texas in 1989. She graduated from the University of Texas at Austin in 2022 with a degree in archaeology and Middle Eastern studies. Bowman is currently abroad pursuing an MA in archaeology at the University College of London, hoping to work in Karez rehabilitation in northern Iraq. In 2023, she curated Oshay Green and Isabel Legate’s dual exhibition Holometabolism at Martha’s Contemporary, and her collaborative video work with Jonny Negron was included in Electricity · Shadow at Château Shatto.
Alyssa Taylor Wendt is a multidisciplinary artist, filmmaker, and curator working in Detroit and Austin, Texas. Her recent projects address mysticism, the architecture of memory, and the decodified strata of history using video, ceramics, sculpture, painting, and installation. Earning her MFA from Bard, she has shown and performed internationally since 2004. She recently completed a second master’s degree in museum studies from Harvard and plans to open a small non-profit museum of cultural artifacts in 2026.
