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"Within my Maze of Memory" : Isadora Jackson
Sep
12
to Oct 24

"Within my Maze of Memory" : Isadora Jackson

Within my Maze of Memory
Isadora Jackson
Curated by Leslie Moody Castro

September 12th - October 24th, 2026
On view Saturdays, 12-6pm
5419 Glissman Road, Austin, TX 78702

Opening Events: Saturday, September 12th
Members Preview, 6-7pm, Become a Member
Public Reception, 7-11pm, RSVP
Sponsored by Austin Beerworks & Tito's Handmade Vodka

Members Meet & Greet with Isadora Jackson & Leslie Moody Castro:
Thursday, September 10th, 8-10pm
Become a Member to receive the location


In this immersive installation, Isadora Jackson transforms the culvert gallery at Co-Lab Projects into a maze of image, light, shadow and sound. The exhibition considers memory as something we continually move through fragmented, reconstructed, obscured, and reshaped by the present, and not as a fixed archive. 

The project has developed through an ongoing dialogue between Jackson and curator Leslie Moody Castro during a residency in Mexico City, and following a residency in Latvia. Together, Jackson and Moody Castro recalled stories and memories passed down from family members—much of which was embellished as generations of familial stories are—a discovery made while Jackson was in residence in Latvia in December 2025. While moving together through museums, galleries, streets, conversations, and everyday encounters, Jackson and Moody Castro began thinking about the maze as both a physical structure and a way of understanding memory itself. Rather than presenting a linear narrative, the installation asks what it means to navigate the past through partial images, recurring symbols, shifting associations, and spaces that alternately reveal and conceal.

Images drawn from personal memory become less like illustrations of specific events and more like fragments of icons that surface, disappear, and take on new meanings through their relationships to one another. A sound composition by Erik Jackson extends this experience beyond the visual, creating an atmospheric layer that moves through the installation and further destabilizes any single reading of the space.

The maze ultimately becomes a metaphor for remembering: there is no complete view from one position, and no return to a memory exactly as it was. Instead, the exhibition invites viewers to inhabit the uncertain space between recollection and reconstruction, moving physically through a landscape where personal memory continually encounters the present.

Isadora Jackson is a multimedia artist whose work investigates how psychological, emotional, and ecological landscapes shape our sense of place. Rooted in the U.S.–Mexico borderlands where she grew up, her practice translates geography, memory, and identity into layered visual languages using symbols, maps, and architectural forms to explore how real and imagined boundaries inform belonging. Jackson holds a BFA in Painting with a double major in Cultural Anthropology and a minor in Native American Studies, and an MFA in Painting and Drawing from New Mexico State University. This interdisciplinary foundation continues to guide a practice where personal narrative meets cultural research.

She is an Associate Professor of Art in El Paso, Texas, teaching painting, drawing, and professional practices with an emphasis on creative sustainability and community engagement. Jackson’s work has been widely exhibited, collected nationally and in Mexico, and is represented in multiple permanent public collections. Her awards include recognition from the New Mexico Committee of the National Museum of Women in the Arts, as well as the Minnie Stevens Piper Professor nomination and an Outstanding Faculty Achievement Award.

Her practice has been featured in magazines, newspapers, podcasts, and radio, and in books such as The Motherhood of Art and Painting Our World. She also actively supports artists through service on local and national committees, including the College Art Association Professional Practices Committee and the board of the Texas Association of Schools of Art. She is a founding member of Borderlines, an initiative fostering exhibitions, residencies, and exchanges for emerging artists across New Mexico, Texas, and New York.

Working across painting, installation, projection, and light-based media, Jackson creates conversations that connect disciplines, cultures, and environments, illuminating the complex relationships between people and the places they inhabit.

This exhibition is supported in part by H-E-B, Texas Commission on the Arts, Individual Donors, and Members like You!

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I WANT TO KNOW WHAT YOU DID LAST SUMMER IV — AN OPEN CALL
Jul
1
11:59 PM23:59

I WANT TO KNOW WHAT YOU DID LAST SUMMER IV — AN OPEN CALL

I WANT TO KNOW WHAT YOU DID LAST SUMMER IV
An open call for new artists

Extended open call dates: February 1st - July 1st, 2026
Extended Application Deadline: Midnight, July 1st, 2026
Application review and notification: Early August
New exhibition dates: Fall, 2026 (exact dates TBA)

Co-Lab Projects invites all Austin area artists who have NOT physically exhibited with Co-Lab in the past to apply for this open call exhibition. The application is open to individual artists, curators, collectives, or other groups who fit this description.

Submitted/proposed works may be in any medium including but not limited to: installation, video/film, performance, 2D and 3D static works, social practice, etc. Please consider the installation logistics and limitations of the culvert gallery, for example the space is not temperature or humidity controlled which means it is not necessarily an ideal environment for works on paper or photography. If you have specific concerns we’re happy to answer any questions before you submit.

Artworks do not have to be from any specific time frame. The open call title is tongue in cheek, however we do encourage applying with semi-recent work and/or new proposed work.

Works will be reviewed and selected by a Curatorial Committee and the format of the exhibition will be determined by these selections. For example we may decide to pair two artists who submitted separately, or build a multiple artist exhibition from several applicants, or a large group exhibition may take shape. The format will depend largely on what we receive from applicants. However, the last three years of this application/program have produced group exhibitions and will be the most likely outcome of this year's open call. Apply accordingly.

Please fill out the form here to apply. What are you waiting for huh?!



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Co-Lab Projects Presents: Cowboy XMAS Part Deux
Dec
14
7:00 PM19:00

Co-Lab Projects Presents: Cowboy XMAS Part Deux

Co-Lab Projects Presents:
Cowboy XMAS Part Deux

FUNdraiser and Membership Drive: Saturday, December 14th, 7-11pm
Members get in free, sliding scale tickets available for non-members starting at $10

On December 14th we are ringing in the holidays with an anti-soiree, part two continuing the thread from last year's holiday party, a Cowboy Christmas-themed casual fundraiser and membership drive benefitting our spring programs.

Featuring our group exhibition “Collective Tales in a Concrete Garden”, music by Sentimental Family Band and MADISONS, stage production by Mapache Entertainment, visuals by hyperreal film club, mechanical bull rides, Christmas Carol Karaoke with our KJ and MC Rebecca Marino, food by Shhmaltz, a charity cheer bar sponsored by Austin Beerworks, LALO Tequila, Tito's Handmade Vodka, Topo Chico, and more TBA!

Similar to our past FUNdraisers, all funds raised — whether from new memberships, tickets to the event, bar donations, or food sales — will be matched by one of our generous donors, community business partners, or event sponsors! It’s all the fun of a holiday party while doubling your donations and impact, which means the more you give the more we are able to support artists in our community and continue delivering the programming y’all know and love. Matching funds for Cowboy XMAS are provided by Elisa and Joel Sumner, Daryl Kunik, Sheehy Fine Art Services, Carolina and Sergio Alcocer, Kingsburry Museum Crating, JD DiFabbio, and anonymous donors. 

Over the past 16 years, Co-Lab has produced 400+ exhibitions and performances showcasing hundreds of local, national, and international artists. In addition to its primary programming, Co-Lab is an established and revered gathering space for community building through its free educational programs, events, collaborations, and participation in regional and international fairs and festivals.

We look forward to continuing this work with your support! Help us help artists by coming out to the event on December 14th! To get involved, donate, or contribute to this holiday fundraiser please write us at hello@co-labprojects.org!

Cheers,
The Co-Lab Team


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“Epiphany” Artist Talk moderated by Justine Kurland
Oct
19
7:00 PM19:00

“Epiphany” Artist Talk moderated by Justine Kurland

Photo curtesy of Rosemary Haynes

“Epiphany” Artist Talk 
Featuring Justine Kurland in conversation with Michelle Marchesseault, Diana Welch, Kate Csillagi, and curator Alyssa Taylor Wendt

Saturday, October 19th, 7pm, (please RSVP)
Co-Lab Projects, 5419 Glissman Rd, Austin, TX 78702

Join us at the Culvert Gallery for another look at “Epiphany” and a conversation moderated by esteemed artist Justine Kurland. In this talk, Justine hopes to open a discussion about themes and processes in each artist's work and in relation to one another. Justine echos the question underlying the exhibition “Epiphany” and the mission of Co-Lab Projects- How do we support artists engaged in radical experimentation and play?

Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland’s work has been exhibited at museums and galleries in the United States and abroad. www.justinekurland.com

Diana Welch is a multidisciplinary artist based in Austin, TX, whose body of work spans sculpture, music, and writing. A self-taught ceramicist, she has exhibited in the US and Europe as one-half of the collaborative Mother of God. Her vessels reference classical ancient clay forms imbued with unexpected flare and subversion through interaction, collaboration, and functionality. As a musician, she has released several recordings, both solo and as a member of the band Stormshelter. A reporter, editor, and author, her extensive writing has been reviewed in Vanity Fair and elsewhere.

Kate Csillagi is an interdisciplinary artist hailing from Austin, TX. She attended the School of the Art Institute of Chicago and Evergreen State College where she studied fiber art, printmaking,  and bookmaking. Her work has evolved over the years to include drawing, mural work, fabric tapestry, and installation. She was also a founding member of ICOSA, an artist-run collective and gallery in East Austin. Csillagi’s work is disruptive and whimsical, constructing unexpected narratives that star her anthropomorphic characters within supernatural scenes. Her work dismantles reality through watery dreamscapes and colorful illustrations, providing refuge from the monotony of modernity. 

Michelle Marchesseault splits time between Austin, TX, where she paints, and New York City, where she designs art and interiors for restaurants, television, movies, and the stage. She attended Herron School of Art in Indianapolis for painting and has been creating visuals and environments for over 20 years. The majority of Marchessault’s work fluctuates between studies of color and design that she called “twist” paintings and lush mannerist landscapes where nature is simultaneously gushing with beauty and brutality.

Mimi Bowman was born in Texas in 1989. She graduated from the University of Texas at Austin in 2022 with a degree in archaeology and Middle Eastern studies. Bowman is currently abroad pursuing an MA in archaeology at the University College of London, hoping to work in Karez rehabilitation in northern Iraq. In 2023, she curated Oshay Green and Isabel Legate’s dual exhibition Holometabolism at Martha’s Contemporary, and her collaborative video work with Jonny Negron was included in Electricity · Shadow at Château Shatto.

Alyssa Taylor Wendt is a multidisciplinary artist, filmmaker, and curator working in Detroit and Austin, Texas. Her recent projects address mysticism, the architecture of memory, and the decodified strata of history using video, ceramics, sculpture, painting, and installation. Earning her MFA from Bard, she has shown and performed internationally since 2004. She recently completed a second master’s degree in museum studies from Harvard and plans to open a small non-profit museum of cultural artifacts in 2026.

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SAVE THE DATE!!! Co-Lab’s Super Sweet 16
Jul
13
to Jul 14

SAVE THE DATE!!! Co-Lab’s Super Sweet 16

Co-Lab’s Super Sweet 16
A summer membership drive and FUNdraiser

Sponsored by Paul and Ilene Barr, Sheehy Fine Art Services, Sergio and Carolina Alcocer, JD DiFabbio, Nomad Sound, Misc Rentals, Saucehaus, Clay Pigeon, Austin Beerworks, LALO Tequila, and Richard’s Rainwater

Saturday, July 13th, 8pm-midnight
Members get in free, sliding scale tickets available for non-members starting at $10



On July 13th we are celebrating Co-Lab’s Sweet 16th by throwing ourselves a fierce birthday party in the form of a membership drive and fundraiser benefiting our fall programming. Featuring our summer group exhibition “Inter Being”, live music by Pinkstar and Tropicana Joe, a ‘Super Sweet 16’ themed Karaoke stage, water balloon fights, tiaras, food by Clay Pigeon, and a spoiled rotten bar sponsored by Austin Beerworks, LALO Tequilla, and Richard's Rainwater.

Similar to our past fundraisers, all funds raised — whether from new memberships, tickets to the event, bar donations, or food sales — will be matched by one of our generous donors, community business partners, or event sponsors! It’s all the fun of a birthday party while doubling your donations and impact, which means the more you give the more we are able to support artists in our community and continue delivering the programming y’all know and love.

Over the past 16 years, Co-Lab has produced over 400 exhibitions and performances showcasing hundreds of local, national, and international artists. In addition to its primary programming, Co-Lab is an established and revered gathering space for community building through its free programs, events, collaborations, and participation in regional and international fairs and festivals.

We look forward to continuing this work with your support! Help us help artists by coming out to the event on July 13th! To get involved, donate, or contribute to this summer fundraiser please write us at hello@co-labprojects.org!

Cheers,
The Co-Lab Team



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Summer Open Call
Apr
25
to May 26

Summer Open Call

  • Google Calendar ICS

I WANT TO KNOW WHAT YOU DID LAST SUMMER II
An open call for new artists

Open call dates: April 25th - May 25th, 2024
Application review and notification: End of May
Exhibition dates: June 15th - July 20th, 2024

Co-Lab Projects invites all Austin area artists who have NOT physically exhibited with Co-Lab in the past to apply for this open call exhibition. The application is open to individual artists, curators, collectives, or other groups who fit this description.

Submitted/proposed works may be in any medium including but not limited to: installation, video/film, performance, 2D and 3D static works, social practice, etc. Please consider the installation logistics and limitations of the culvert gallery, for example the space is not temperature or humidity controlled which means it is not necessarily an ideal environment for works on paper or photography. If you have specific concerns we’re happy to answer any questions before you submit.

Artworks do not have to be from any specific time frame. The open call title is tongue in cheek, however we do encourage applying with semi-recent work and/or new proposed work.

Works will be reviewed and selected by the Board of Directors and the format of the exhibition will be determined by these selections. For example we may decide to pair two artists who submitted separately, or build a multiple artist exhibition from several applicants, or a large group exhibition may take shape. The format will depend largely on what we receive from applicants.

Please following the link below to apply. What are you waiting for huh?!

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Co-Lab Book Club
Oct
13
to Nov 13

Co-Lab Book Club

  • Google Calendar ICS

Co-Lab Book Club
Led by Leslie Moody Castro in conjunction with Ana Segovia’s exhibition Boy’s Ranch

October 13th — November 13th, 2023
This and all future Book Club editions are FREE for Members

Book Club members will discuss via Discord and will be invited to an in-person conversation with Leslie Moody Castro and Ana Segovia on November 13th.

We will be reading both of the following books, Cartucho is very short and will not take long to finish.


- Book 1 -

Cartucho by Nellie Campobello
55 pages
Buy the book here

Cartucho: Tales of the Struggle in Northern Mexico (Cartucho: Relatos de la lucha en el Norte de México) is a semi-autobiographical short novel, or novella set in the Mexican Revolution and originally published in 1931. It consists of a series of vignettes that draw on Campobello's memories of her childhood and adolescence (and the stories her mother told her) in Northern Mexico during the war. Though long overlooked, it is now celebrated, among other reasons because it is, as Mexican critic Elena Poniatowska points out, "the only real vision of the Mexican revolution written by a woman."

About the Author:
Nellie (or Nelly) Francisca Ernestina Campobello Luna (November 7, 1900 – July 9, 1986) was a Mexican writer, notable for having written one of the few chronicles of the Mexican Revolution from a woman's perspective: Cartucho, which chronicles her experience as a young girl in Northern Mexico at the height of the struggle between forces loyal to Pancho Villa and those who followed Venustiano Carranza. She moved to Mexico City in 1923, where she spent the rest of her life and associated with many of the most famous Mexican intellectuals and artists of the epoch. Like her half-sister Gloria, a well-known ballet dancer, she was also known as a dancer and choreographer. She was the director of the Mexican National School of Dance.


- Book 2 -

All the Pretty Horses by Cormac McCarthy
302 pages
Buy the book here

All the Pretty Horses is a novel by American author Cormac McCarthy published by Alfred A. Knopf in 1992. It was a bestseller, winning both the U.S. National Book Award and the National Book Critics Circle Award. It is the first of McCarthy's "Border Trilogy".

About the Author:
Cormac McCarthy (born Charles Joseph McCarthy Jr.; July 20, 1933 – June 13, 2023) was an American writer who authored twelve novels, two plays, five screenplays, and three short stories, spanning the Western and post-apocalyptic genres. He was known for his graphic depictions of violence and his unique writing style, recognizable by a sparse use of punctuation and attribution. McCarthy is widely regarded as one of the greatest American novelists. McCarthy was born in Providence, Rhode Island, although he was raised primarily in Tennessee. In 1951, he enrolled in the University of Tennessee, but dropped out to join the U.S. Air Force. His debut novel, The Orchard Keeper, was published in 1965. Awarded literary grants, McCarthy was able to travel to southern Europe, where he wrote his second novel, Outer Dark (1968). Suttree (1979), like his other early novels, received generally positive reviews, but was not a commercial success. A MacArthur Fellowship enabled him to travel to the American Southwest, where he researched and wrote his fifth novel, Blood Meridian (1985). Although it initially garnered a lukewarm critical and commercial reception, it has since been regarded as his magnum opus, with some labeling it the Great American Novel.

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[OPEN CALL] I (WANT TO) KNOW WHAT YOU DID LAST SUMMER
Jun
20
to Jul 31

[OPEN CALL] I (WANT TO) KNOW WHAT YOU DID LAST SUMMER

  • Google Calendar ICS

I (WANT TO) KNOW WHAT YOU DID LAST SUMMER
An open call for new artists

Open call dates: June 20th - July 31st, 2023
Application review: first week of August
Notification: second week of August
Exhibition dates: September 9th - 23rd, 2023

Co-Lab Projects invites all Austin area artists who have not physically exhibited with us in the past to apply for this open call exhibition. The application is open to individual artists, curators, collectives, or other groups who fit this description.

Submitted/proposed works may be in any medium including but not limited to: installation, video/film, performance, 2D and 3D static works, social practice, etc. Please consider the installation logistics and limitations of the culvert gallery, for example the space is not temperature or humidity controlled which means it is not necessarily an ideal environment for works on paper or photography. If you have specific concerns we’re happy to answer any questions before you submit.

Artworks do not have to be from any specific time frame. The open call title is tongue in cheek, however we do encourage applying with semi-recent work and/or new proposed work.

Works will be reviewed and selected by the Board of Directors and the format of the exhibition will be determined by these selections. For example we may decide to pair two artists who submitted separately, or build a multiple artist exhibition from several applicants, or a large group exhibition may take shape. The format will depend largely on what we receive from applicants.

View the application here and submit your ideas! What are you waiting for huh?!

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